Meta AI glasses for creators: spin view, multi-cam and what's live

Meta's AI glasses put a camera where your eyes are, and Instagram now has a set of story formats built for the footage they bring back. Spin view lets viewers rotate their phone to look around your scene, multi-cam sync stitches your glasses and phone angles into one story, and a small toolkit fixes framing, audio and speed.

Ray-Ban Meta (Gen 2) is sold across India, with prices starting at ₹39,900, so this is a tool an Indian creator can actually buy. Here's what the glasses capture, how that footage gets into a story, and which parts are working today.

What can Meta's AI glasses actually capture?

Ray-Ban Meta, Oakley Meta and Meta Glasses are camera glasses you wear. On Ray-Ban Meta (Gen 2) you get 3K Ultra HD video with ultrawide HDR, up to 60 frames per second, and more than twice as many pixels as the first generation.

A full charge lasts up to eight hours of typical use, a 20-minute top-up gets you to half, and the charging case holds another 48 hours. That's a shoot day covered without hunting for a plug point.

You run the camera by voice. Say "Hey Meta" to take a photo or video, control media or reply to a message, and on Gen 2 you can speak to Meta AI entirely in Hindi. For anyone whose hands are in dough, in a sewing machine or in a parcel, that is the whole point of the device.

How does footage from the glasses reach Instagram?

Through the ordinary story upload, with one extra tap. Follow the usual steps you take to post a story, and in the gallery pick a photo or video shot on Ray-Ban Meta, Oakley Meta or Meta Glasses. You'll see a glasses icon on the top left of those clips.

Once you reach the edit screen, tap the glasses icon sitting by the other editing tools. That opens a menu with the glasses tools along the bottom of your screen, and spin view and multi-cam live there too.

So there is no separate posting flow for us to learn and no desktop step. If you can post a story, you can post glasses footage.

What is spin view, and why would we use it?

Spin view is an interactive story format that breaks out of the static frame. Your audience rotates their phone to pan through your full perspective, so they can explore the entire scene the way you lived it.

We'd save it for the moments where the room is the story. A workshop with six people at work, a stall on a crowded market lane, a wedding stage, the inside of your studio on packing day. A flat frame throws most of that away.

It asks something of the viewer, though: they have to move their phone. We'd only use it when there's genuinely more to see off to the sides.

What does multi-cam sync do?

It merges separate footage from your phone and your glasses into one multi-angle story, syncing the clips automatically so both perspectives show at once. Your hands at work go through the glasses while you talk to the camera on your phone.

For a small seller that's the tutorial problem solved. Mehendi being applied, a saree being draped, a repair being done, a thali being plated, all while your face explains the step nobody gets right.

A camera on your face is only worth wearing when your hands are doing something worth watching.

Which editing tools come with glasses footage?

Three, and they sit inside the Instagram camera rather than in a separate editor:

• Expand reframes your wide-angle footage so the best part of your POV is front and centre, instead of lost in a broad shot.
• Audio dials down background noise and boosts your voice, so narration stays clear in a busy crowd. On an Indian street that is the tool we'd reach for first.
• Speed slows down the details of a tutorial or fast-forwards through the boring stretch.

Between them, Expand and Audio fix the two things we find usually ruin wearable footage: too much frame and too much noise.

What's live now, and what isn't yet?

Live on Instagram today: spin view, multi-cam sync, and the Expand, Audio and Speed tools for glasses clips. All of them run inside the story editor.

Still to come on the glasses side: capture modes like hyperlapse and slow motion arrive through software updates rather than sitting in the box, so check what your pair has before you plan a shoot around them. UPI Lite payments by voice, where you look at a QR code and say "Hey Meta, scan and pay", is described as something you'll be able to do, not something to count on this week.

How would we use AI glasses as Indian creators?

We'd treat the glasses as a second camera for the parts of the job a phone can't film, not as the camera. Here's the plan we'd follow:

1. Film the process, not the result. Hands cutting, kneading, stitching, packing, plating. The phone still shoots the finished piece.
2. Use multi-cam for anything you teach. One angle on the hands, one on your face, and the step people always get wrong becomes obvious.
3. Use spin view where the place matters: a godown, a mandi, a set-up before an event. Keep it for scenes worth turning your phone for.
4. Run Audio on anything shot outdoors, then Expand to crop into the action. Two taps, and the clip stops looking like accidental footage.
5. Tell people around you that your glasses have a camera. On a shop floor or someone else's stall, ask first, every time.
6. Remember these formats are story-first. Keep your reels for reach, and use our Stories guide to work out what a story week should carry.

Quality-wise, glasses footage sits next to your phone footage in the same story, so the two should match. Our notes on camera and export settings cover the phone side, and the new AI effects in Stories work on whatever you bring in.

Wearable cameras reward one thing above all: showing the work. If you already make something with your hands, we think the glasses are the cheapest way to film it properly, and spin view and multi-cam give that footage somewhere to go.

When a story like that pushes people to a reel and the reel asks for a comment, Instoly replies to each commenter with a DM, so nobody who asked is left waiting.